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February 2003 |
Newsletter
Page 2 |
Volume 3,
number 2 |
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A Teacher’s Tribute to the ESU
One of Kerry L. Demer's responses which resulted in her
being selected a Disney's American Teacher Awards honoree for 2002
(The competition question read "Describe a time you collaborated with
others to engage students in learning. Explain how the collaboration that
you use improves student success." Here is her response.)
One of the most influential community resources for classroom
collaboration I have found has been the hardworking and dedicated volunteers
of the English-Speaking Union. If I am correct, not one of these wonderful
people is under 60 years old. It all started when I began working with the
annual Shakespeare Competition fifteen years ago. Teaching Shakespeare has
always been my first love; I know that Shakespeare never fails to engage and
provide students with an experience whereby they will never again be the
same in their reading, thinking, or writing. Working with the Shakespeare
competition brought me to new levels of what can be accomplished outside as
well as inside the classroom.
The English-Speaking Union yearly sponsors the National Shakespeare
Competition in New York. In Tucson, Arizona, these amazing and tenacious
volunteers developed a program that began in the back of a church and is now
yearly a part of the "Theater in the Schools Week" at the University of
Arizona. The judges for the competition now include U of A drama professors
and the directors and producers of plays throughout our city. The men and
women of the ESU in Tucson have been like a family to me; together we have
grown in our understanding of how important this educational activity is for
all students. The ESU’s goal was to start a competition in every high school
in Tucson as well as outlying schools in Southern Arizona. Students are
required to perform 21 lines of Shakespeare before an audience of their
peers. The involvement of the school community is essential. At Salpointe
Catholic High School our annual competition is equal to our most competitive
athletic event. We have a full house of 300 students for two separate class
periods. One finds students cheering, praising, judging, and simply standing
in awe of fellow classmates who bring Shakespeare’s words and characters to
life. In the Spring of 1994 the ESU recommended our competition as one of
the best in the country; we were featured on the Charles Kuralt Sunday
Morning Show. |
in the end though, I have learned from these collaborations that it is
not about winning. It is about believing in young people. My richest
memories are the nights after school when students practice, when they help
each other, argue about a character, go over lines, and think again and
again about a single word, a single action. Students begin to see that the
never ending relationship with genius, insight, and language begins when one
becomes immersed in the world of a play, in the thought-web of words, words,
words which maintain power beyond any particular place and time. We all
share the knowledge that to really appreciate Shakespeare’s language and
thought, one reading is not enough; years of reading are not enough; one
insight into a character or play is not enough. So begins that life-long
journey by feeling those words in one’s own mouth, or hearing them over and
over again from a fellow student. In my literature classes I require that
all students memorize and recite at least 15 lines of Shakespeare. For the
first time this year I have fulfilled the dream of offering a Shakespeare
class to non-honors students who feel that Shakespeare is too difficult for
them. We were thrilled to find that 120 students signed up for the four
classes taught this year. Our principal supported this class by offering to
teach a class each semester.
The success of the students who have won our Shakespeare competition has
been extraordinary. For example student Anne Heintz went on to the
University of Arizona and directed a unique Hamlet in the
planetarium; this year she received a Fulbright to work with a playwright in
Australia. Yet Anne was not primarily a drama student; she was an English
major. I am ever thankful to the local members of the ESU. They give all
over to the young - the applause and the praise. They stand in the wings and
have known all along that the students have the ear and the soul to catch
those powerful words. These fellow teachers understand that it is the
student who ultimately stands alone before those words; these adults believe
in young people.
A related press release is include at the end of the Newsletter. |
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